Conceptual photographs by Martin Vlach. The artist digitally merges his own photography with elements of nature to create surreal, atmospheric scenes that feel both isolating and mysterious.
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Antagonist youth are all about looking flared out and fucked up, with a ne’erdowell, devil-may-care authenticity that screams nihilistic opposition to all structures of power, while conveying a cultivated vanity for those in the know.
As a queer feminist anti-imperialist and utterly contrary and cranky leftist, I have my doubts about the political valences of hope. I’m suspicious of it. I associate it with normative prescriptions about the future I ought to want, with coercive groupthink, with compulsory cheerfulness, with subtly coercive blandness. I find a lot of pleasure in bitterness, cynicism, depressiveness and bitchiness. I raise my defenses against earnest optimism and its normative compulsions. It is within this framework of temperament and politics that I defend myself as a specifically queer leftist.
Instead of waiting in her tower, Rapunzel slices off her long, golden hair with a carving knife, and then uses it to climb down to freedom.
Just as she’s about to take the poison apple, Snow White sees the familiar wicked glow in the old lady’s eyes, and slashes the evil queen’s throat with a pair of sewing scissors.
Cinderella refuses everything but the glass slippers from her fairy godmother, crushes her stepmother’s windpipe under her heel, and the Prince falls madly in love with the mysterious girl who dons rags and blood-stained slippers.
Persephone goes adventuring with weapons hidden under her dress.
Persephone climbs into the gaping chasm.
Or, Persephone uses her hands to carve a hole down to hell.
In none of these versions is Persephone’s body violated unless she asks Hades to hold her down with his horse-whips.
Not once does she hold out on eating the pomegranate, instead biting into it eagerly and relishing the juice running down her chin, staining it red.
In some of the stories, Hades never appears and Persephone rules the underworld with a crown of her own making.
In all of them, it is widely known that the name Persephone means Bringer of Destruction.
Red Riding Hood marches from her grandmother’s house with a bloody wolf pelt.
Medusa rights the wrongs that have been done to her.
Eurydice breaks every muscle in her arms climbing out of the land of the dead.
Girls are allowed to think dark thoughts, and be dark things.
Instead of the dragon, it’s the princess with claws and fiery breath
who smashes her way from the confines of her castle
and swallows men whole.
really though what are some cool exercises to keep me fit and healthy that I can do without moving
also how can i improve my mental health without trying
tweets by @postcrunk
[I]n order to colonize a people whose society was not hierarchical, colonizers must first naturalize hierarchy through instituting patriarchy.
Andrea Smith (via counterstorytelling)
For those who don’t know— Andrea Smith is a Native American woman and scholar in ethnic/gender studies. One of her main projects is the INCITE! collective.
This makes me think of Silvia Federici’s book, Caliban and the Witch (which I still need to finish), which talks about how the construction of patriarchy in Europe was a critical development in the formation of capitalism and “primitive accumulation.”
love sylvia and andy. <3 <3
And that super-European monstrosity, North America? Chatter, chatter: liberty, equality, fraternity, love, honor, patriotism, and what have you. All this did not prevent us from making anti-racial speeches about dirty ni**ers, dirty Jews, and dirty Arabs. High-minded people, liberal or just softhearted, protest that they were shocked by such inconsistency; but they were either mistaken or dishonest, for with us there is nothing more consistent than a racist humanism since the European has only been able to become a man through creating slaves and monsters… [I]t seems we are the enemies of mankind; the elite [Europe & America] shows itself in its true colors—it is nothing more than a gang. Our precious sets of values begin to molt; on closer scrutiny you won’t see one that isn’t stained with blood.
Jean-Paul Sartre, preface to Frantz Fanon’s The Wretched of the Earth (via deedixon)
I need to read more Sartre.
Carbon emissions and climate change are a mere symptom of the
ecological degradation caused by capitalism. Taken as an isolated issue in-and-of-itself, climate change is ludicrous. Even if burning fossil fuels didn’t cause climate change, it would still be cancerous to humans, pollute the ocean and atmosphere, fueling death-dealing automobiles and missiles, creating the raw materials of everything from disposable plastic bags to useless toys. Just as cutting down the forest reduces the planet’s ability to store carbon, it also destroys uncountable species, ripping asunder indigenous forms of life and evicting them from their homes, and destroying even the possibility of the joy many humans get from being outside. While a “green” zero-carbon capitalism may be possible, if implausible, even a zero-carbon capitalism inexorably transforms living natural resources into dead capital. If it’s not production of carbon, it will be the destruction of water, of the soil, of lives of the poor, all sacrificed to the ravenous appetite of capital for the production of commodities, even if it means the end of the reproduction of life. Capitalism is the origin of the biocrisis, the last and final crisis of capitalism.
stay turnt, pony boy
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